Breaching the extremes of reality and abstraction, Le Moal and a small group of fellow artists including Jean Bazaine, Alfred Manessier, and Gustave Singier established a new post-war aesthetic of pure poetical expression, creating a fluid dialectical exchange between man and nature, comparable in literature to Proust and Joyce.
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JEAN LE MOAL (1909-2007)
“LES ARBRES”
oil on canvas, 100 x 100cm (39 1/2 x 39 1/2in),
signed and dated lower right, 1954; also signed, titled and dated on reverse
EXHIBITED:
“Abstrakte Maler”, Galerie Beyeler, Basel, Switzerland, 1956, (no.50, cat. illus.)
“Art Abstrait”, Galerie Ann Abels, Cologne, 1958, (no.13)
JEAN LE MOAL (1909-2007)
"ARBRES"
ink and watercolour on paper, 15 x 21.5cm
painted 1946
Collection of Musée National d'Art Moderne
[Illustration only]
JEAN LE MOAL (1909-2007)
“OBJETS DEVANT UNE FENÊTRE, LE SOIR”
oil on canvas, signed and dated, 1945, canvas size: 50 x 92 cm
EXHIBITED: Kunstaus Zurich
PROVENANCE: Private Collection, Frl. Bleuler, Zurich
JEAN LE MOAL (1909-2007)
“LES ARBRES”
oil on canvas, 100 x 100cm (39 1/2 x 39 1/2in),
signed and dated lower right, 1954; also signed, titled and dated on reverse
EXHIBITED:
“Abstrakte Maler”, Galerie Beyeler, Basel, Switzerland, 1956, (no.50, cat. illus.)
“Art Abstrait”, Galerie Ann Abels, Cologne, 1958, (no.13)
JEAN LE MOAL (1909-2007)
"ARBRES"
ink and watercolour on paper, 15 x 21.5cm
painted 1946
Collection of Musée National d'Art Moderne
[Illustration only]
JEAN LE MOAL (1909-2007)
“OBJETS DEVANT UNE FENÊTRE, LE SOIR”
oil on canvas, signed and dated, 1945, canvas size: 50 x 92 cm
EXHIBITED: Kunstaus Zurich
PROVENANCE: Private Collection, Frl. Bleuler, Zurich