Beginning with Malevich’s early experiments, Geometric Abstraction, was opposed to the individual expression of the artist, instead seeking the representation of a universal harmony and equilibrium. Predominant groups included: De Stijl, Cercle et Carré, Art Concrete, Abstraction-Création, and after WWII, Espace.
[Further works can be found in the ARTISTS section.]
JEAN SIGNOVERT (1919-1981)
“LASAghA”
oil on canvas, 100 x 81cm, (39 ½ x 32in)
signed and dated, January 1958,
also signed, dated, and titled on reverse
LÉO LEUPPI (1893-1972)
“KOMPOSITION, 1934”
oil on canvas, 100 x 92cm (39 1/2 x 36in)
signed and dated lower left, 1934
Exhibited: “Zeitprobleme in der Schweizer Malerei und Plastik”, Kunsthaus Zurich, 1936, (no.107)
MÉLITO (MIOT MAURICE) (1920-1994)
“COMPOSITION ABSTRAITE”
oil on canvas, 55 x 47cm (21 1/2 x 18 1/2in)
signed and dated 1958
JEAN DEYROLLE (1911-1967)
“SIMEONE”
tempera on canvas, 60 x 100cm, (23 1/2 x 39 1/2in),
signed lower right and on reverse, 1952
EXHIBITED:
“Séminaire des Arts”, Brussells, 1952
Galerie Editions Lahumière, Paris
Galerie Galarté, Paris, 1987
LITERATURE:
“Témoignages pour l’Art Abstrait”, Alvard & Gindertael, Paris, 1952, (illus. p.93)
“Jean Deyrolle”, Catalogue Raisonné, Georges Richar-Rivier [no.52.02]
[SOLD]
JEAN DEYROLLE (1911-1967)
“OMPHALE”
tempera on canvas, 97 x 130cm, (38 x 51in),
signed lower right; and titled on reverse;
painted 1966
EXHIBITED:
”Jean Deyrolle”, Galerie Denise René, Paris, 1966
“Mouvement Peint, Mouvement Agi”, Abbaye de Beaulieu, 1976, [no.18]
“Jean Deyrolle”, Galerie de Luxembourg, 1991
LITERATURE:
“Jean Deyrolle”, Catalogue Raisonné, Georges Richar-Rivier [no.66.18]
DORA MAAR (1907 - 1997)
“COMPOSITION GÉOMÉTRIQUE”
oil on canvas, 162 x 130cm, (64 x 51in)
stamped by the Atelier, and again on the reverse
painted c.1967
PROVENANCE: The Estate of the Artist
[SOLD]
SILVANO BOZZOLINI (1911-1998)
“DOUCES RENCONTRES”
oil on canvas, 54 x 73cm (21 1/4 x 283/4in)
signed and dated lower right, 1951
also signed, titled and dated on reverse
[SOLD]
JEAN SIGNOVERT (1919-1981)
“LASAghA”
oil on canvas, 100 x 81cm, (39 ½ x 32in)
signed and dated, January 1958,
also signed, dated, and titled on reverse
LÉO LEUPPI (1893-1972)
“KOMPOSITION, 1934”
oil on canvas, 100 x 92cm (39 1/2 x 36in)
signed and dated lower left, 1934
Exhibited: “Zeitprobleme in der Schweizer Malerei und Plastik”, Kunsthaus Zurich, 1936, (no.107)
MÉLITO (MIOT MAURICE) (1920-1994)
“COMPOSITION ABSTRAITE”
oil on canvas, 55 x 47cm (21 1/2 x 18 1/2in)
signed and dated 1958
JEAN DEYROLLE (1911-1967)
“SIMEONE”
tempera on canvas, 60 x 100cm, (23 1/2 x 39 1/2in),
signed lower right and on reverse, 1952
EXHIBITED:
“Séminaire des Arts”, Brussells, 1952
Galerie Editions Lahumière, Paris
Galerie Galarté, Paris, 1987
LITERATURE:
“Témoignages pour l’Art Abstrait”, Alvard & Gindertael, Paris, 1952, (illus. p.93)
“Jean Deyrolle”, Catalogue Raisonné, Georges Richar-Rivier [no.52.02]
[SOLD]
JEAN DEYROLLE (1911-1967)
“OMPHALE”
tempera on canvas, 97 x 130cm, (38 x 51in),
signed lower right; and titled on reverse;
painted 1966
EXHIBITED:
”Jean Deyrolle”, Galerie Denise René, Paris, 1966
“Mouvement Peint, Mouvement Agi”, Abbaye de Beaulieu, 1976, [no.18]
“Jean Deyrolle”, Galerie de Luxembourg, 1991
LITERATURE:
“Jean Deyrolle”, Catalogue Raisonné, Georges Richar-Rivier [no.66.18]
DORA MAAR (1907 - 1997)
“COMPOSITION GÉOMÉTRIQUE”
oil on canvas, 162 x 130cm, (64 x 51in)
stamped by the Atelier, and again on the reverse
painted c.1967
PROVENANCE: The Estate of the Artist
[SOLD]
SILVANO BOZZOLINI (1911-1998)
“DOUCES RENCONTRES”
oil on canvas, 54 x 73cm (21 1/4 x 283/4in)
signed and dated lower right, 1951
also signed, titled and dated on reverse
[SOLD]