“[The painters] explore in their own way other zones of that untold, unfigurative no man’s land, each one carrying out an experiment so peculiarly his own, ...the unknown is incommensurable and each artist is free to take his chance and play for the highest stakes.”
Michel Tapié.
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BILL PARKER (1922-2009)
“COMPOSITION ABSTRAITE, 1967”
oil on canvas, 92 x 73cm
signed lower right,
and signed and dated on reverse, 1967
BILL PARKER (1922-2009)
“NATURE MORTE, 1955”
oil on canvas, 81 x 65cm (32 x 25 1/2in)
initialled and dated mid centre,
and titled and dated on reverse, “10.3.55”
PROVENANCE: Galerie Max Kagnovitch, Paris
BILL PARKER (1922-2009)
“NATURE MORTE, 1955”
oil on canvas, 54 x 18cm (21 1/4x7in)
initialled and dated, 1955
also signed and dated on reverse
BILL PARKER (1922-2009)
“COMPOSITION ABSTRAITE, 1967”
oil on canvas, 92 x 73cm
signed lower right,
and signed and dated on reverse, 1967
BILL PARKER (1922-2009)
“NATURE MORTE, 1955”
oil on canvas, 81 x 65cm (32 x 25 1/2in)
initialled and dated mid centre,
and titled and dated on reverse, “10.3.55”
PROVENANCE: Galerie Max Kagnovitch, Paris
BILL PARKER (1922-2009)
“NATURE MORTE, 1955”
oil on canvas, 54 x 18cm (21 1/4x7in)
initialled and dated, 1955
also signed and dated on reverse