“LE BLEU ET LE ROUGE”
oil on canvas, 150 x 150cm (59 x 59in)
signed, painted c.1968
JAMES PICHETTE (1920-1996)
“COMPOSITION, 1956”
oil on canvas, 130 x 97cm (51 x 38in)
signed lower right,
also signed and dated on reverse, 1956
HENRI GOETZ (1909-1989)
“COMPOSITION AVEC CHEVAUX”
oil and canvas, 50 x 150cm (19¾ x 59in),
signed and dated, 1953
PROVENANCE: Private Collection Camille Renault
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NINA NEGRI (1909-1981)
“COMPOSITION D’ORO”
oil on canvas, 50 x 65 cm (19 3/4 x 25 1/2in)
signed lower right,
and counter-signed on stretcher
painted c.1950
OSCAR GAUTHIER (1921-2009)
“COMPOSITION SUR FOND ROUGE, 1959”
oil on canvas, 116 x 89cm (45 1/2 x 35in)
signed lower right,
also signed on reverse and inscribed “CN-ZZQ”
painted 1959
EXHIBITED:
Galerie Raymond Cazenave, Paris, 1960
PIERRE de BERROETA (1914-2004)
“ALLEGRETTO”
oil on canvas, 65 x 81 (25 1/2 x 32in)
signed and dated lower left, 1965
titled on stretcher
CLAUDE VENARD (1913-1999)
“LES BATEAUX”
oil on canvas, 75 x 75cm (29 1/2 x 29 1/2in)
signed lower left,
painted c.1955
HENRI-GEORGES ADAM (1904-1967)
“LA POINTE SAINT MATHIEU”
Carrara marble, height 95cm (37 1/4in) (incl. base)
signed, and marked ‘E.A.’ (Epreuve d’Artiste)
executed in 1960
Galerie La Hune, Paris, 1960
Musée des Beaux Arts, Rouen, Paris, 1961
Palais des Beaux Arts, Brussels, 1962
Musée National d’Art Moderne, Paris, 1966;
LITERATURE:
“Découverte de la Sculpture Moderne” J. Selz, 1963.
“Adam: Sculpteur Monumental”, G. Marchiori, Marmo 3, 1963
“Henri-Georges Adam”, W. George & I. Jianou, 1968.
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MÉLITO (MIOT MAURICE) (1920-1994)
“COMPOSITION ABSTRAITE”
oil on canvas, 55 x 47cm (21 1/2 x 18 1/2in)
signed and dated 1958
SILVANO BOZZOLINI (1911-1998)
“FANTAISIE CONTRASTÉE”
oil on canvas, 65 x 50cm (25 1/2 x 19 3/4in)
signed and dated lower right, 1959
also signed, titled and dated on reverse
EXHIBITED: Galerie Pagnani, Milan
PROVENANCE: Private Collection, Italy
JEAN SIGNOVERT (1919-1981)
“COMPOSITION”
oil on canvas, 130 x 81cm (51 x 32in)
signed lower right, painted c.1950
JEAN DEYROLLE (1911-1967)
“DOGMEL”
tempera on canvas, 81 x 65cm, (32 x 25 1/2in),
signed lower right; also signed and titled on reverse; painted 1952
EXHIBITED:
Galerie Denise René, Paris, 1953
Volker Kunstmuseum, Hamburg, 1953
Galerie Birch, Paris, 1954
Kunstforeningen, Copenhagen, 1956, [no.34]
LITERATURE:
“Jean Deyrolle”, Catalogue Raisonné, Georges Richar-Rivier [no.52.26]
PROVENANCE:
Private Collection, Verner Nielsen
EMILE GILIOLI (1911-1977)
“PAQUIER”
bronze, 70x52x42cm, 1951
signed, and numbered 3 of an edition of 3, also bears foundry name, Susse Fondeur, Paris
EXHIBITED:
Salon de Mai, Paris, 1952;
“Emile Gilioli rétrospective”, Musée National d’Art Moderne, Centre Pompidou, Paris, 1979 (illus. p.19)
PROVENANCE:
Duvivier Private Collection, Belgium.
LITERATURE:
“L’Oeil”, 1956 (reproduced on front cover)
“Emile Gilioli”, Éditions Arted, Paris, 1972 (illus. p.95)
“Gilioli sculptures”, J. Dopange, Hazan, 1976 (illus. no. 72)
PIERRE de BERROETA (1914-2004)
“COMPOSITION”
oil on canvas, 97 x 130cm (38 x 51in)
signed and dated lower right, 1975
BILL PARKER (1922-2009)
“NATURE MORTE, 1955”
oil on canvas, 81 x 65cm (32 x 25 1/2in)
initialled and dated mid centre,
and titled and dated on reverse, “10.3.55”
PROVENANCE: Galerie Max Kagnovitch, Paris
JEAN-MARIE CALMETTES (1918-2007)
“COMPOSITION ABSTRAITE ”
oil on canvas, 100 x 100cm, (39½ x 39½in
signed lower right
JEAN PIAUBERT (1900-2002)
“COMPOSITION TORTOISE”
oil on panel, 63 x 49cm (24 3/4 x 19 1/4in)
signed lower right; and also signed and titled on reverse
painted circa 1946